Sean P Carlin

Writer of things that go bump in the night

Tag: climate change (Page 2 of 2)

Naomi Klein’s “On Fire” (Book Review)

October 18, 2019 / / 20 Comments

Since I trained under former vice president Al Gore to serve in his Climate Reality Leadership Corps just over a year ago—a period in which no fewer than eighty-five federal environmental regulations have been rolled back, greenhouse-gas emissions have spiked (after leveling off in years prior), polar-ice melt is outpacing predictive modeling, and the Intergovernmental Panel on Climate Change has strenuously warned us we have a mere decade to halve our current rate of carbon-burning if we hope to avoid the most catastrophic effects of climate change—there is one distinct emotional state that has been entirely absent from my life.

Despair.

I might, in fact, be happier and more optimistic than at any other point in my adult life.

Activism, I’ve discovered, is the antidote to despair, to doomism.  Over the past year, I’ve given public presentations on the Energy Innovation and Carbon Dividend Act, a bipartisan bill in Congress that would charge fossil-fuel extractors for the privilege of pollution—of treating the public commons of our atmosphere like an open sewer—they’ve thus far enjoyed free of charge.

This past March, my Climate Reality chapter was proud to enlist Los Angeles into the County Climate Coalition, an alliance of jurisdictions across the United States, formed by Santa Clara County Supervisor Dave Cortese, that have formally pledged to uphold the standards of the Paris Accord.  Less than six months later, we were in attendance as the L.A. County Board of Supervisors voted to adopt the OurCounty sustainability plan, one of the most ambitious green initiatives in the United States.

And just last month, I joined 300,000 activists in Lower Manhattan for the Global Climate Strike as we swarmed the streets of City Hall, marched down Broadway, and rallied at Battery Park—where no less than Greta Thunberg addressed the crowd.  None of that, as it happens, has left much time to actually worry about the climate breakdown.

Greta Thunberg at the Global Climate Strike in New York City on September 20, 2019 (photo credit: Sean P. Carlin)

But that level of activism, I acknowledge, isn’t something to which everyone can readily commit.  So, if you want to share my profound hopefulness about the solutions to the climate crisis—if you want to appreciate the world-changing opportunity humanity has been handed by history—do yourself a favor and read a book that might admittedly be outside your comfort zone:  Naomi Klein’s On Fire:  The (Burning) Case for a Green New Deal.

Naomi Klein’s “On Fire: The (Burning) Case for a Green New Deal”

I promise:  You won’t be inundated with scientific facts and figures; if you want to understand the basic science of global warming, Mr. Gore’s documentaries An Inconvenient Truth (2006) and An Inconvenient Sequel:  Truth to Power (2017) are both excellent primers.  Naomi Klein’s On Fire is a recently published collection of her essays and lectures from the past decade, bookended by all-new opening and closing statements on why a Global Green New Deal is the blueprint for an ecologically sustainable and socially equitable twenty-first century:

The idea is a simple one:  in the process of transforming the infrastructure of our societies at the speed and scale that scientists have called for, humanity has a once-in-a-century chance to fix an economic model that is failing the majority of people on multiple fronts.  Because the factors that are destroying our planet are also destroying people’s quality of life in many other ways, from wage stagnation to gaping inequalities to crumbling services to the breakdown of any semblance of social cohesion.  Challenging these underlying forces is an opportunity to solve several interlocking crises at once. . . .

. . . In scale if not specifics, the Green New Deal proposal takes its inspiration from Franklin Delano Roosevelt’s original New Deal, which responded to the misery and breakdown of the Great Depression with a flurry of policies and public investments, from introducing Social Security and minimum wage laws, to breaking up the banks, to electrifying rural America and building a wave of low-cost housing in cities, to planting more than two billion trees and launching soil protection programs in regions ravaged by the Dust Bowl.

Naomi Klein, On Fire:  The (Burning) Case for a Green New Deal, (New York:  Simon & Schuster, 2019), 26
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Oh, Snap! The Nostalgia-Industrial Complex — ’90s Edition

July 29, 2019 / / 13 Comments

Et tu, Millennials?  The old nostalgia-industrial complex got its hooks into you, too, huh?  I must ask:  Have you not witnessed in firsthand horror what pining for the good old days has done to Generation X…?

To recap:  We Xers have thus far spent the twenty-first century reliving all our childhood favorites—Star Wars, Super Friends, Karate Kid, Ghostbusters, Lethal Weapon, Halloween, Bill & Ted, Tron, Transformers, Terminator, Top Gun—a pathological exercise in self-infantilization that has catastrophically retarded both the culture as well as a generation of middle-aged adults who are at this point more passionately invested in Skywalkers and superheroes than are the juvenile audiences for whom those characters were originally intended.

Always keen to recognize—and replicate—a winning formula, a new permutation of forward-thinking backward-gazing has recently seized Hollywood:  Sell nineties-era nostalgia to the generation that came of age in that decade!  Over the past few years, we got a pair of Jurassic Park remakes-masquerading-as-sequels that didn’t inspire a single word of enthusiasm (certainly not a second viewing), but nonetheless earned over a billion dollars apiece, while our last conventional movie star, Dwayne Johnson, used his considerable clout (or more aptly muscle?) to resurrect both Jumanji and Baywatch.  As for this year?  Hope you’re excited for warmed-over helpings of The Lion King, Men in Black, Toy Story, Aladdin, and yet more Jumanji.  And while we’re at it, let’s welcome back slacker duo Jay and Silent Bob, because surely their grunge-era stoner humor still holds up in middle-age—

Our sentiments exactly, fellas…

—as well as Will Smith and Martin Lawrence, back from buddy-cop purgatory for more Bad Boys badassery!  You know damn well whatcha gonna do when they come for you:  Buy a ticket!

For an indeterminate, but clearly not immeasurable, swath of moviegoers, there is no marketing campaign more alluring than one that taps into foggy childhood memories. . . .

. . . The great nostalgia-industrial complex will [continue] steamrollering us against our better judgment into multiplexes, hoping for a simulacrum of the first high we felt watching great characters years ago.

Tom Philip, “Summer ’19 Brought To You By Nostalgia-Bait Movies,” Opinion, New York Times, July 4, 2019

Not just multiplexes.  (And how are those even still a thing?)  On the small screen, VH1 revived game-changing nineties slasher franchise Scream this summer (how, for that matter, is VH1 still a thing?), and new iterations of decade-defining teen melodramas 90210 and Party of Five are on the way.  Dope.

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Big News from a Small Climate Reality Chapter: Los Angeles Joins the County Climate Coalition

March 31, 2019 / / 4 Comments

What can I do about it?  When it comes to the climate crisis, all of us have thought or expressed that sentiment, even—at some point or another—the most passionate environmental activists.  It can be uttered out of well-meaning curiosity… or genuine bewilderment… or political frustration… or apathetic abdication.  Regardless of which mindset it reflects, it is a universally valid—and perfectly understandable—acknowledgment of the overwhelming complexities of the problem of climate change.  What can any of us, as individuals, really do about it?

Especially when individual efforts simply aren’t going to move the needle on this at the speed and scale required; we have ten years, per the IPCC, to halve our greenhouse-gas emissions if we’re going to keep global warming below catastrophic levels.  By all means:  swap out your lightbulbs, compost your trash, take public transportation whenever possible—but understand the time when “small” personal actions like that could’ve actually made a meaningful difference has passed.

Now this existential crisis must be addressed legislatively, with bold and effective public policy, hence the reason so much has been made of the Green New Deal resolution, and the less-publicized but no-less-crucial Energy Innovation and Carbon Dividend Act, a bipartisan bill in Congress that would (finally) put a price on carbon pollution.  As exciting and promising as those steps are, though, in some respects they only make an answer to our intimate question—What can I do about climate change?—seem yet further out of reach.


Representative Alexandria Ocasio-Cortez and Senator Ed Markey outside the U.S. Capitol on Feb. 7, 2019 (Saul Loeb/AFP—Getty Images)

Take me, for instance.  A recovering screenwriter, I’m happy to illustrate at length the storytelling transgressions of Ghostbusters II, or mathematically quantify the similarities between Jack Nicholson and Heath Ledger’s interpretations of the Joker (they’re precisely 60% alike, for the record)—ya know, intellectual stuff—but good luck putting those “skills” to use in service for environmental-policy initiatives, right?

Well, not so fast.  Here’s how a bunch of ordinary laypeople banded together to do exactly that—to make a legislative difference in relatively short order—and how a few tricks I picked up in the Hollywood trenches actually came in handy.

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Well, There’s Bad News and Good News: On Matters of Human Extinction

January 29, 2019 / / 10 Comments

In a piece that appeared in last month’s New York Times online philosophy blog—plainly titled “Would Human Extinction Be a Tragedy?”—Todd May explores the existential question of whether the inherent and singular value human beings possess as an intelligent species, through our scientific and intellectual and creative pursuits, is worth the immense anguish our practices inflict on the nonhuman animals with which we share this planet:

“To make that case, let me start with a claim that I think will be at once depressing and, upon reflection, uncontroversial.  Human beings are destroying large parts of the inhabitable earth and causing unimaginable suffering to many of the animals that inhabit it.  This is happening through at least three means.  First, human contribution to climate change is devastating ecosystems, as the recent article on Yellowstone Park in The Times exemplifies.  Second, increasing human population is encroaching on ecosystems that would otherwise be intact.  Third, factory farming fosters the creation of millions upon millions of animals for whom it offers nothing but suffering and misery before slaughtering them in often barbaric ways.  There is no reason to think that those practices are going to diminish any time soon.  Quite the opposite. . . .

. . . But there is more to the story.  Human beings bring things to the planet that other animals cannot.  For example, we bring an advanced level of reason that can experience wonder at the world in a way that is foreign to most if not all other animals.  We create art of various kinds:  literature, music and painting among them.  We engage in sciences that seek to understand the universe and our place in it. . . .

. . . We appreciate and often participate in such practices because we believe they are good to be involved in, because we find them to be worthwhile.  It is the goodness of the practices and the experiences that draw us.  Therefore, it would be a loss to the world if those practices and experiences ceased to exist.”

Todd May, “Would Human Extinction Be a Tragedy?,” The Stone, New York Times, December 17, 2018

On the abstraction of extinction, I take something of a prostrative view:  It seems to me the natural world has a way of deciding for itself who ought to be here and when it’s time for them to go; at some point, after all, it concluded the dinosaurs had overstayed their welcome, and with the brute efficiency of an asteroid strike, put them on a path to annihilation.  There’s something perversely liberating—and by extension even comforting—about the question of our own existence being out of our control.

Credit and © sdecoret – Fotolia

But… that’s not what’s happening here at the dawn of the Anthropocene, is it?  It’s the very practices we engage in—our project of civilization itself—that has brought on the existential crises we now confront.  Since this blog often examines its subjects narratively, this citation seems apt:

“In many dramatic tragedies, the suffering of the protagonist is brought about through his or her own actions.  It is Oedipus’s killing of his father that starts the train of events that leads to his tragic realization; and it is Lear’s highhandedness toward his daughter Cordelia that leads to his demise.  It may also turn out that it is through our own actions that we human beings bring about our extinction, or at least something near it, contributing through our practices to our own tragic end.”

ibid.

Climate change—at least this epochal instance of it—is the (admittedly unintended) consequence of our own Industrial Age–conditioned behaviors, rather than that of some naturally occurring planetary phenomenon.  Far from a cyclical geological inevitability, like, say, an ice age, we’re doing this to ourselves, outside the governing purview—or otherwise unimpeded design—of nature.

Or are we?

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Maybe It’s Time: Here’s to Making 2019 the First Official Year of the 21st Century

December 28, 2018 / / 28 Comments

“Maybe it’s time to let the old ways die.”  How ironically apropos that in a world led by a reality-show president, where facts are subjective and everything from our energy sources to our economic policies to our pop culture are the antiquated vestiges of a previous century, that a lyric by a fictitious rock star from a remake of a remake of a remake of a movie from 1937 should emerge as the perfect, hopeful mantra of an impending (if belated) new millennial era.  I propose officially adopting it as such; it might make what comes next a little easier to accept for those of us still clinging nostalgically to the 1950s (Baby boomers) and the 1980s (Gen X).

If you belong to one of those analog generations—I’m an Xer myself—and you’ve ever had the frustrating experience of working with a Millennial, you know their nonlinear minds interpret the world in an entirely different manner than those that came before them.  The first wave arrived in the workforce a decade ago, expecting a seat at the table before they’d earned one, demanding their voices be heard before their opinions were informed by practical experience.  Their operating philosophy seemed to be:  Yeah, but just because we’ve always done it that way doesn’t mean we shouldn’t try it… this way.  In their view, the arduous, incremental, straight-line path of our institutionalized practices and protocols didn’t square with their hyperlinked grasp of our new Digital Age reality.  Thusly, conventional (read:  linear) thinking was to be openly challenged, not obediently emulated.

Like many of my fellow Xers that came up the hard way—those of us that knew our place, paid our dues (there’s that pesky sense of linearity again), never assumed we had all the answers—that worldview has often left me bewildered at best, infuriated at worst.  And the sense of entitlement so endemic to Millennials is only compounded by their corresponding characteristic of impatience:

“They’ve grown up in a world of instant gratification.  You want to buy something—you go on Amazon, it arrives the next day.  You want to watch a movie?  Log on and watch a movie—you don’t check movie times.  You want to watch a TV show?  Binge!  You don’t even have to wait week to week to week.  Right?  I know people who skip seasons just so they can binge at the end of the season.  Right?  Instant gratification.”

Simon Sinek, “Simon Sinek,” Inside Quest with Tom Bilyeu, August 7, 2016

Now, to a middle-aged generation still trying (without success) to take the seat at the head of the table from the unyielding occupancy of the Boomers, the Millennials’ impulse—their self-ordained imperative—to grab the wheel and make “meaningful impact” is their most vexing attribute.

And—Christ help me for saying this—it just might change everything for the better.

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“Almost” Doesn’t Count: On Trying and Losing (Repeat as Needed)

November 28, 2018 / / 26 Comments

In the event you don’t keep track of these things, the Los Angeles Dodgers lost the World Series last month, four games to one, to the Boston Red Sox.  It was both the Dodgers’ second consecutive World Series appearance and defeat.  From the point of view of many a long-suffering fan here in L.A., collapsing yet again mere inches from the finish line amounts to nothing more than another season-long strikeout, a yearlong exercise in futility, a squandered investment of time and emotional support.  “This is where baseball breaks your heart,” someone said to me in the waning days of the season.  To be sure, I share the sentiment:  It’s hard as hell to get so frustratingly close to the Golden Ring only to go home empty-handed.  A miss is as good as a mile, after all.  Close only matters in horseshoes and hand grenades.  “Almost” doesn’t count.

As recently as a few years ago, I wouldn’t have known, much less cared, who won or lost this Series—or even who played in it.  I came to baseball relatively late in life—around forty—as I recounted in “Spring Fever,” the gist of which was this:  For whatever reason, neither I nor any of my boyhood pals were born with the “sports gene.”  We were all pop-culture fanatics, more likely to be found at the local comic shop than Little League field.  When we saw the Bronx Bombers play the Indians at Yankee Stadium in 1986, none of us knew what the hell to make of that abstract experience; when we watched them face-off again in David S. Ward’s Major League in 1989, in the context of a Cinderella narrative, suddenly the rivalry had meaning.  We loved movies and comics; sports we simply had no use for.

A few years later, I found myself formally studying comics (under legendary Batman artist and DC Comics editor Carmine Infantino) and cinema (in college) in preparation for making a career in those fields.  What they don’t tell you in school, though, is that when you turn your passions into your profession, you often do so at the expense of the joy you once took in those pastimes.  Worse still, so many of the things that directly inspired me to be a screenwriter, from Star Wars to superheroes, I eventually grew to disdain.  And what Dodgers baseball restored in me, outside my conscious awareness as it was happening, was the innocent pleasure of being a fan of something again; it’s been a welcome, even analeptic, reprieve from the tyranny of passion.

Game 2 of the 2018 World Series

The Dodgers’ reentry into the World Series this fall, and the collective hope it kindled of their first world-championship win in precisely three decades, coincided with a sobering anniversary of my own:  It’s been exactly twenty years—October of 1998—since I signed with my first literary manager off a screenplay I’d written called BONE ORCHARD.  It occurs to me only now, as I type this, that the project was something of a creative precursor to Escape from Rikers Island, trafficking in many of the same themes and concepts:  an urban island left to rot and ruin, overrun with supernatural savages (demons, not zombies), with a neo–hardboiled detective at the center of the action.  (I’d studied Raymond Chandler in college and have since been heavily influenced by his fiction.)

Anyway, there I was, twenty-two years old and only a few months out of school, and everything was unfolding right on schedule.  The script would be taken to the spec marketplace and I would soon join the ranks of working screenwriters.  You study for a career in the arts, and you get one—simple as that.

Christ, if only.  BONE ORCHARD didn’t sell.  And while I was halfway through writing my follow-up, the management company repping me shuttered.  Young and naïve though I was, I nonetheless intuited I wasn’t likely to move the needle on my screenwriting career in New York—an ambition I was resolute about fulfilling—so I left the comforts of home behind for Los Angeles.

When you first arrive in Hollywood, good luck getting anyone with even a modicum of clout to give you the time of day.  Not gonna happen.  What you do—and what I did—is seek out aspiring filmmakers at the same level and pool resources.  In addition to screenwriting, I’d had experience as a film and video editor, so I started cutting USC thesis shorts pro bono.  Within a year or two, I’d established a circle of friends and colleagues, all in our twenties, who were collaborating on “portfolio projects.”  I was editing by day and writing by night, hoping to network my way to new representation—an objective that would, to my slowly percolating astonishment, take another half-dozen years to realize.

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Dreaming Dreams and Seeing Apparitions: On Writing Horror and Fighting Climate Change

October 30, 2018 / / 26 Comments

It certainly occurred to me, ahead of last month’s post, that the blog’s left turn into environmentalism might’ve whiplashed those expecting the customary deep dive into craft or culture.  As part of our training as Climate Reality Leaders, we’re asked to reflect on our personal climate stories—the origins of our interest in the movement—something I’ve invested no small amount of time doing this past month.  To that end, it dawned on me that the very same formative circumstances inspired both my passion for horror fiction and climate activism; they are not unrelated callings but very much part and parcel.

It was at the confluence of the Harlem and Hudson Rivers, my old stomping ground, where many of my first boyhood adventures were undertaken.  My friends and I would scale the towering steel foundational girders of the Henry Hudson Bridge as high as we could climb.  We’d cross Spuyten Duyvil Creek by way of the century-old railroad swing bridge to explore the Indian caves in the vast, lush expanse of Inwood Hill Park at the northernmost tip of Manhattan.  (Incidentally, those caves feature prominently in the 2003 historical fantasy Forever, Pete Hamill’s centuries-spanning ode to Gotham.  Great novel.)

On weekends, my parents would drive us up the Hudson Valley—to Sleepy Hollow or Nyack or Bear Mountain—which was a particularly spellbinding delight this time of year.  It’s a truly magical region that in many respects looks just the same as it did to the Dutch explorers who first arrived in the early seventeenth century—and, more to the point, the Lenape Indians who called the valley their home for a dozen millennia before that.  For the conservation of this land, you can thank—and I can’t believe I’m saying this—J. P. Morgan.

And not just him—George Walbridge Perkins and John D. Rockefeller, too.  Owed in part to the efforts of these forward-thinking businessmen-philanthropists at the turn of the twentieth century, much of the woodlands on the banks of the Hudson was spared from development, as were the Palisades, the magnificent cliffs along the west side of the river.  Consider it:  These capitalists preserved the natural harmony of the Lower Hudson Valley from the ravages of capitalism itself; on account of their preemptive actions, much of it remains to this day virgin forest to be (re)discovered by successive generations.

The woodlands just blocks from where I grew up in the Bronx (photo credit: Sean Carlin, 29 December 2012)

As a writer of supernatural fiction who continues to draw inspiration from this region—virtually all my stories are set there—I walk in the footsteps of literary giants.  Two of the first American authors—horror authors, no less—lived in the area and wrote about it:  Washington Irving and Edgar Allen Poe.  Savor the way Irving lets this “region of shadows,” pregnant with manes, cast a spell over his receptive imagination in the Halloween classic “The Legend of Sleepy Hollow”: Continue reading

Living Here in “Allen Town”: The Fight to End Oil Drilling in Los Angeles

September 30, 2018 / / 17 Comments

In the previous post, I addressed recent efforts to emerge from the comfort of my social cocoon and rejoin the human race.  As such, I trained this past summer to be part of the Leadership Corps of the Climate Reality Project, a group of 17,000-plus social and environmental activists who’ve organized to communicate the stories of climate change and inspire urgency to act on this existential crisis.

To that end, I will on occasion be utilizing this blog—which has been from Day One a venue to promote the many forms and functions of storytelling—to talk about matters relating to the climate crisis with the same intellectual curiosity and comprehensive examination as my posts on craft, pop culture, and personal experiences.

I realize this is a subject that tends to provoke either denial or despair, but I have found that the more I learn about it, the more empowered I feel to effect change—and empowerment is the antidote to doomism.

Show of hands:  How many out there are aware that on September 8, organized Rise for Climate rallies were held in ninety-five different countries, on seven different continents, in a grassroots effort to compel a dramatic, immediate, and legislatively mandated transition away from fossil fuels?

Probably not many of you—am I right?  Lay some blame for that on the media.  Even though the nightly news, to hear Al Gore accurately describe it, has become “like a nature hike through the Book of Revelation,” coverage of this past summer’s worldwide extreme weather—the record-breaking heatwaves, hurricanes, and wildfires, for instance—barely if ever connects it, even if only suggestively and nondefinitively, with human-caused climate change.  Such willful denial—known as climate silence—can no longer continue:  Mother Nature is now refusing to be ignored, and so, for that matter, is the environmental movement—both, it seems, have reached a tipping point.

As such, over 900 actions were taken this past month as part of the Rise for Climate initiative.  The big assembly was up in San Francisco, ahead of Governor Jerry Brown’s Global Climate Action Summit on September 12–14; Los Angeles hosted a more modest event, focused on a local environmental campaign:  the establishment of a 2,500-foot health and safety buffer between communities and urban oil-drilling sites—L.A. has 1,071 active wells, 759 of which are located within 1,500 feet of homes, churches, schools, and/or hospitals.

The gathering was convened on West 23rd Street in University Park, South Los Angeles, a tucked-away residential lane with Esperanza Community Housing on one side, and, behind a leafy redbrick façade, the two-acre AllenCo Energy drill site—with its twenty-one oil wells—on the other.  For four years, residents of the underprivileged community complained of noxious odors, nosebleeds, nausea, and respiratory ailments.  “One child living near the site was sent to the hospital with severe headaches, stomach pains and heart problems” (“The AllenCo Site,” STAND-L.A.).  In 2013, after an inspection by the Environmental Protection Agency that “resulted in more than $99,000 in fines,” operations were suspended and AllenCo became the subject of investigations by multiple governmental agencies.

However, earlier this month, “AllenCo sent a written plan to the state Division of Oil, Gas and Geothermal Resources citing a ‘planned startup date’ of Oct. 15.  It indicated that the facility would be staffed and operating all day, every day” (Emily Alpert Reyes, “Oil Company Says Disputed Site in South L.A. Could Reopen in October,” Los Angeles Times, September 19, 2018).  For the residents of this South L.A. community, this issue is never closed—it’s a specter that looms, needlessly and perennially, over their daily lives; when a drilling moratorium was imposed on the site five years ago, all that meant was that their children’s health was assured for now.

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