Tag: screenwriting (Page 7 of 8)

Here I am—intrepid screenwriter—gearing up to embark on a dizzying new adventure in my writing career:  my first full-length novel—a work of historical fiction (with supernatural twist, of course—the change in venue isn’t indicative of revamped storytelling sensibilities on my part!).  In a plot convenience straight out of a first-draft screenplay, Writer’s Digest recently hosted a novel-writing conference here in Los Angeles; among the seminars offered was a “Historical Fiction Boot Camp”—taught by no less than bestselling author David Morrell, who introduced the world to Rambo in his inaugural novel, First Blood (1972).  I’d have likely attended the workshop regardless, but given that on my most recent vacation I lazed on the beach and read three Morrell novels in a row, the happenstance of it all seemed too providential to dismiss.

During both his seminar and keynote address, Mr. Morrell spoke with endearing candor about his life’s experiences and path to becoming a writer, much of which you can read about—if you haven’t had the pleasure to hear him speak in person—in his 2012 essay Rambo and Me:  The Story Behind the Story.  If the man feels in any way that he lives in the shadow of his first—and most iconic—creation, one wouldn’t suspect as much from chatting with him, which I was lucky enough to get a chance to do.  As a child of the eighties, Rambo holds profound nostalgic significance for me; I went through a phase (as my dearest childhood friend can lamentably attest) in which a plastic jade Buddha amulet dangled totemically from my neck and I responded to any conversational overtures with nothing more eloquent than a sneering curl of my upper lip.  Mr. Morrell was gracious enough to answer my Rambo-related inquiries—with a smile; not a sneer!—and recounted some of his experiences on the development of the third and fourth films of the franchise.  The behind-the-scenes history of the storied movie series has been well-documented in the thirty-odd years since the first entry’s initial release, but to hear tales of the productions from the horse’s mouth was a thrill to rival any of Rambo’s breathless derring-do.

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